William Ryan-Writer and Photographer

Wrydeology

I’m a writer and photographer. In addition to showcasing my personal work, this site collects content and resources for anyone interested in creative effort of any kind, focusing on art, and ideas and the ways in which these processes can help us become more fully human. A lot of my work engages with mental health issues. If any of this interests you, consider signing up for my email list.

WRITING

PHOTOGRAPHY

ART

IDEAS

MENTAL HEALTH

WRITER AND Photographer

William Ryan’s

Wrydeology

I’m a writer and photographer. In addition to showcasing my personal work, this site collects content and resources for anyone interested in creative effort of any kind, focusing on art, and ideas and the ways in which these processes can help us become more fully human. A lot of my work engages with mental health issues. If any of this interests you, consider signing up for my email list.

My new poem “The Rights of the Dying” has just been published in Issue 8 of Humana Obscura. It’s a beautiful chunk of paper and nice, for once, to have something you can hold in your hand. 

The newest edition of Ink in Thirds Journal is out now, and contains my poem, “The Casual Death of Someone You Kind of Knew.” There’s a lot of other great work to browse, including art, photography and short prose.

Artsy picture of the edge of a building taken from street level and emphasizing the circle of a mirror.

An article I wrote for 35mmc. I talk about getting into 35mm analogue photography and how it’s ruined me financially, destroyed my self-sonfidence and activated all mt latent compulsions. I love it. I really do.

6 Aspects of a Successful Creative Process

1. Love the process. You must love the act of creating and not merely the idea of it, not merely the daydream of a completed work. Success is not guaranteed, although hard work can increase your odds and there is nothing wrong with ambition. But success usually comes...

Inspiration

Inspiration is an often talked-about phenomenon crucial to any exceptional creative enterprise. Beyond a basic dictionary definition, it can be difficult to elucidate and conceptualize, its objective qualities muddied by the experiences of divergent personalities in diverging fields–from science to business to the arts and beyond; not to mention the inherent complexities of individual temperament, inclination and personal taste. In this post, I offer a brief summary of inspiration as I have experienced it, aiming to provoke thought rather than inspire certainty.

Resistance

I’m drawn to create as more than just a pastime. It’s something I feel encoded in my DNA with an almost mystical imperative. Why then, do I often have to drag myself to the page or camera? Why is it that more often or not, it’s agony to get started on what I love doing. Why do I dread it, skirt around it, avoid beginning at all costs?

The Width of a Circle

Here are the disturbed, pacing in circles, making 

the same muttering journey day to day, chasing their tails 

around a single point as if one half is trying to catch 

the other and the other hardly cares. Every day

I see them turn.

And wouldn’t our collective madness be just as clear 

with only a little perspective; if you could only fly up and over

and follow the width of the gyre we travel daily; watching blank

bodies move three blocks then right, three more then right again 

intent upon nothing more complicated than the process of living?

Right enough, the circle is the shape of madness

for what’s crazier than something that refuses to end

that has no purpose but to start again, infatuated

by its own surrender, admitting no distinction

between beginning and end.

That’s why this mad world moves as it does, why it dances like

a wheel and speaks in ciphers; why our primal minds pay homage

to the sun and the path of the planets and the spirals of pressure 

scribbled across our atmosphere. Maybe, only the craziest of us realize:

A circle is a mad shape, but bitterly necessary.

A sorrowful shape, without relief or rest or ending.

A sacred shape, lonely in its holiness; shape of an eye

an apple, a mouth when howling. On and on everywhere

and a little more insane 

with every pass.

Our cities are made of circles of a sort, and on a turnpike

somewhere, the same car has been driving round and round

for hours, so that those who saw it on the way to work

meet it again on the way home. Day after day.

There are others.

This figure, in rags on the corner of my street, makes a blank 

pirouette, pivoting on the balls of his feet as he mutters 

in brute cycles–him, her, them, then, now later, today, tomorrow. 

His circle continues 

only because it can’t find any reason why it should not.

Los Angeles, CA –May 2024

 

Let’s talk

Location

Los Angeles, CA

Phone

(646) 284-1775