William Ryan-Writer and Photographer
Wrydeology
I’m a writer and photographer. In addition to showcasing my personal work, this site collects content and resources for anyone interested in creative effort of any kind, focusing on art, and ideas and the ways in which these processes can help us become more fully human. A lot of my work engages with mental health issues. If any of this interests you, consider signing up for my email list.
WRITING
PHOTOGRAPHY
ART
IDEAS
MENTAL HEALTH
WRITER AND Photographer
William Ryan’s
Wrydeology
I’m a writer and photographer. In addition to showcasing my personal work, this site collects content and resources for anyone interested in creative effort of any kind, focusing on art, and ideas and the ways in which these processes can help us become more fully human. A lot of my work engages with mental health issues. If any of this interests you, consider signing up for my email list.
My new poem “The Rights of the Dying” has just been published in Issue 8 of Humana Obscura. It’s a beautiful chunk of paper and nice, for once, to have something you can hold in your hand.
The newest edition of Ink in Thirds Journal is out now, and contains my poem, “The Casual Death of Someone You Kind of Knew.” There’s a lot of other great work to browse, including art, photography and short prose.
An article I wrote for 35mmc. I talk about getting into 35mm analogue photography and how it’s ruined me financially, destroyed my self-sonfidence and activated all mt latent compulsions. I love it. I really do.
The Width of a Circle
Here are the disturbed, pacing in circles, making
the same muttering journey day to day, chasing their tails
around a single point as if one half is trying to catch
the other and the other hardly cares. Every day
I see them turn.
And wouldn’t our collective madness be just as clear
with only a little perspective; if you could only fly up and over
and follow the width of the gyre we travel daily; watching blank
bodies move three blocks then right, three more then right again
intent upon nothing more complicated than the process of living?
Right enough, the circle is the shape of madness
for what’s crazier than something that refuses to end
that has no purpose but to start again, infatuated
by its own surrender, admitting no distinction
between beginning and end.
That’s why this mad world moves as it does, why it dances like
a wheel and speaks in ciphers; why our primal minds pay homage
to the sun and the path of the planets and the spirals of pressure
scribbled across our atmosphere. Maybe, only the craziest of us realize:
A circle is a mad shape, but bitterly necessary.
A sorrowful shape, without relief or rest or ending.
A sacred shape, lonely in its holiness; shape of an eye
an apple, a mouth when howling. On and on everywhere
and a little more insane
with every pass.
Our cities are made of circles of a sort, and on a turnpike
somewhere, the same car has been driving round and round
for hours, so that those who saw it on the way to work
meet it again on the way home. Day after day.
There are others.
This figure, in rags on the corner of my street, makes a blank
pirouette, pivoting on the balls of his feet as he mutters
in brute cycles–him, her, them, then, now later, today, tomorrow.
His circle continues
only because it can’t find any reason why it should not.
Los Angeles, CA –May 2024